Personal Horror

Gothic

The Gothic aspect of the setting is very much in the literary tradition of the word. Gothic literature paints a world of anachronisms, barbarism, decay, madness,and a romanticized history that never existed. In the ultramodern context of Vampire, we see it in the churches whose spires soar skyward, in the avarice and treachery of the wealthy who enjoy great comfort, in the crumbling architecture of the cities and the way nature reclaims the places forgotten or abandoned by men. A tenement erected at the turn of the 20th century, fronted by dingy, fluted columns and infested with squatters, is a neo-gothic rookery. A merciless billionaire’s estate on the edge of town is a modern castle, as is his lavish penthouse in the bustling district where mortals go to dance and drug away their cares. A mad priest offers succor to those members of his flock tormented by “monsters,” the ivy-choked cemetery where velvet-clad sensualists recite poetry and seduce the shades of the departed, the graffiti-tagged warehouse docks where the skinheads torment their victims: All of these and more are hallmarks of the modern gothic experience.

Punk

Punk, on the other hand, refers to the context in which people experience their world. It’s about anger, about getting in someone’s face and saying “No more.” It’s about refusing to be ignored and stepping on some motherfucker’s toes to get your point across. As a result, conflict is everywhere, from the gang wars that plague the streets to the self-serving movements in the back rooms of governments and corporations. It runs in scale from the clash of cultures where domains overlap to the desperate, personal struggle of a mother who can’t afford to feed her crying child or the struggle between a junkie and his drug of choice. Rebellion is everywhere, and just living another day to spit in the face of what the long-shadowed World of Darkness has to offer is an act of defiance. Everyone opposes something, and the punk element of the setting is the dramatic fulfillment of that opposition.